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                <text> CHASSERIAU, FrÃ©dÃ©ric </text>
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                <text>Ce boulevard est construit entre 1860 et 1866 par ChassÃ©riau, qui dessine lâ€™ensemble de sa structure ainsi que les rampes de communication. En 1860, NapolÃ©on III et EugÃ©nie en posent la premiÃ¨re pierre (lâ€™ImpÃ©ratrice lui donna son nom) et, en 1865, lâ€™Empereur lâ€™inaugure. SupportÃ© par des voÃ»tes Ã©tagÃ©es abritant des magasins et des logements, il est progressivement bordÃ© dâ€™Ã©difices importants. Par son ordonnancement, sa linÃ©aritÃ© et ses architectures classiques, lâ€™actuel boulevard Zighout Youcef a dÃ©finitivement marquÃ© le paysage de la ville et lâ€™imaginaire de ses usagers.</text>
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                <text>http://mutual-heritage.crevilles-dev.org/alger/items/show/104</text>
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                <text>Carte du patrimoine architectural XIXe-XXe siÃ¨cles d'Alger. Mutual Heritage, 2010. p.8</text>
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                <text>boulevard</text>
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                <text>GUERIN-CLAUDEL, Charles-Mathurin </text>
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                <text>Construit entre 1862 et 1868, le lycÃ©e, ex-lycÃ©e Bugeaud, rues Ouanouri et de Bab el-Oued, est bÃ¢ti sur les plans de Charles-Mathurin GuÃ©rin-Claudel mais, selon Rachid OuahÃ¨s, â€œles travaux semblent avoir Ã©tÃ© conduits par Pierre-Auguste Guiauchainâ€. LÃ  encore, une esthÃ©tique directement inspirÃ©e du registre classique europÃ©en confÃ¨re au bÃ¢timent une sobre monumentalitÃ© qui sied parfaitement Ã  sa fonction Ã©ducative.</text>
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                <text>http://mutual-heritage.crevilles-dev.org/alger/items/show/105</text>
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                <text>Carte du patrimoine architectural XIXe-XXe siÃ¨cles d'Alger. Mutual Heritage, 2010. p.9</text>
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                <text>LycÃ©e de lâ€™Emir Abdelkader</text>
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                <text>GION, Paul</text>
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                <text>AlgÃ©rie</text>
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                <text>Lâ€™architecte Paul Gion (1838-1904) est lâ€™auteur de cet Ã©difice quâ€™il construit entre 1875 Ã  1885. Ã€ lâ€™image dâ€™autres bÃ¢timents officiels de la ville, le palais de Justice affiche des formes nÃ©o-classiques caractÃ©ristiques dâ€™une architecture judiciaire du XIXe siÃ¨cle franÃ§ais, cherchant Ã  imposer un rapport de respect aux usagers de lâ€™Ã©difice et de la ville. Il a par la suite connu plusieurs remaniements.</text>
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                <text>http://mutual-heritage.crevilles-dev.org/alger/items/show/106</text>
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                <text>Carte du patrimoine architectural XIXe-XXe siÃ¨cles d'Alger. Mutual Heritage, 2010. p.9</text>
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                <text>palais de justice</text>
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                <text>DAUPHIN, Louis </text>
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                <text>PETIT, Henri </text>
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                <text>AlgÃ©rie</text>
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                <text>Construits en 1888 par Louis Dauphin et Henri Petit dans un esprit nÃ©o-classique, les bÃ¢timents de la FacultÃ© dâ€™Alger sont progressivement remaniÃ©s et agrandis, entre 1929 et 1939 par Guion et RÃ©gnier, puis par Garnier et Vasselon, et, en 1961, Ã  la suite dâ€™un incendie dans la bibliothÃ¨que. Lâ€™histoire de ce bÃ¢timent remonte Ã  la crÃ©ation (par la loi du 20 dÃ©cembre 1879) des Ã‰coles de MÃ©decine, Pharmacie, Lettres, Sciences et Droit, qui sont ensuite Ã©rigÃ©es au rang de FacultÃ©s puis dâ€™UniversitÃ©. Pierre Bourdieu et Mouloud Mammeri comptent parmi les plus cÃ©lÃ¨bres professeurs y ayant enseignÃ©.</text>
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                <text>http://mutual-heritage.crevilles-dev.org/alger/items/show/107</text>
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                <text>Carte du patrimoine architectural XIXe-XXe siÃ¨cles d'Alger. Mutual Heritage, 2010. p.9</text>
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                <text>Ã©tablissement universitaire</text>
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                <text>FacultÃ© Centrale dâ€™Alger</text>
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                <text>PETIT, Henri </text>
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                <text>AlgÃ©rie</text>
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                <text>Ã‰difiÃ© entre 1889 et 1893 par lâ€™architecte Henri Petit, cet Ã©difice fait partie des bÃ¢timents affichant â€œun langage formel renvoyant au rÃ©pertoire utilisÃ© alors en Franceâ€, selon lâ€™historienne Nabila Oulebsir. Avec ses colonnes corinthiennes et sa faÃ§ade nÃ©o-classique, ce bÃ¢timent est reprÃ©sentatif des choix des autoritÃ©s franÃ§aises dâ€™AlgÃ©rie qui voulaient faire de la ville la capitale franÃ§aise dâ€™Afrique du Nord. </text>
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                <text>Carte du patrimoine architectural XIXe-XXe siÃ¨cles d'Alger. Mutual Heritage, 2010. p.10</text>
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                <text>Chambre algÃ©rienne du Commerce et de lâ€™Industrie</text>
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                <text>AlgÃ©rie</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Le boulevard Khemisti est construit dÃ¨s 1895 Ã  lâ€™emplacement des anciens remparts Ã©levÃ©s par les FranÃ§ais entre 1841 et 1850 et dÃ©truits entre 1894 et 1900. ConÃ§u comme une vÃ©ritable coulÃ©e verte, il est bordÃ© de bÃ¢timents emblÃ©matiques tels la Grande Poste, lâ€™ancien hÃ´tel Excelsior, lâ€™immeuble du Rassemblement national dÃ©mocratique et le plus tardif palais du Gouvernement (1930). La sculpture de Landowsky (1875-1961), Ã©rigÃ©e au lendemain de la PremiÃ¨re Guerre mondiale Ã  la gloire des combattants, est aujourdâ€™hui recouverte par un monument Ã  la mÃ©moire des martyrs algÃ©riens, conÃ§u Ã  lâ€™IndÃ©pendance par lâ€™artiste Issiakhem.</text>
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                <text>http://mutual-heritage.crevilles-dev.org/alger/items/show/109</text>
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                <text>Carte du patrimoine architectural XIXe-XXe siÃ¨cles d'Alger. Mutual Heritage, 2010. p.10</text>
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            <description>A name given to the resource</description>
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                <text>Boulevard Mohamed Khemisti</text>
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              <description>A name given to the resource</description>
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              <description>An account of the resource</description>
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            <name>Coverage</name>
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                <text>AlgÃ©rie</text>
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            <description>An account of the resource</description>
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                <text>ConÃ§u dans la mÃªme logique que les boulevards Khemisti et Zighout Youcef, le boulevard Taleb Abderrahmane est construit vers 1898 Ã  lâ€™emplacement de lâ€™enceinte Nord Ã©levÃ©e par les FranÃ§ais ; il assure la liaison entre le centre de la ville et le quartier de Bab el-Oued. AmÃ©nagÃ© en terrasses plantÃ©es, il constitue un vÃ©ritable espace de respiration dans le tissu urbain algÃ©rois.</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>http://mutual-heritage.crevilles-dev.org/alger/items/show/110</text>
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            <description>A related resource from which the described resource is derived</description>
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                <text>Carte du patrimoine architectural XIXe-XXe siÃ¨cles d'Alger. Mutual Heritage, 2010. p.10</text>
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            <description>A name given to the resource</description>
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                <text>Boulevard Taleb Abderrahmane</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Edifices-Alger</text>
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              <description>An account of the resource</description>
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            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>AlgÃ©rie</text>
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                <text>Alger</text>
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            <name>Creator</name>
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            <description>An account of the resource</description>
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                <text>Lâ€™ancien hÃ´tel Excelsior est un tÃ©moignage particuliÃ¨rement intÃ©ressant de lâ€™Art nouveau algÃ©rien. NÃ© au tournant du siÃ¨cle dans lâ€™ensemble de lâ€™Europe, lâ€™Art nouveau se dÃ©veloppe Ã©galement largement au Maghreb. Lâ€™ancien hÃ´tel Excelsior prÃ©sente des points communs avec certains bÃ¢timents Art nouveau de Tunis : portraits de femmes en stuc sur les faÃ§ades, abondance de motifs floraux et de formes baroques, autant dâ€™Ã©lÃ©ments dÃ©coratifs attestant du partage de modÃ¨les artistiques entre lâ€™AlgÃ©rie et la Tunisie.</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="2175">
                <text>http://mutual-heritage.crevilles-dev.org/alger/items/show/111</text>
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            <description>A related resource from which the described resource is derived</description>
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              <elementText elementTextId="2177">
                <text>Carte du patrimoine architectural XIXe-XXe siÃ¨cles d'Alger. Mutual Heritage, 2010. p.10</text>
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            <description>The topic of the resource</description>
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                <text>hÃ´tel</text>
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                <text>art nouveau (style)</text>
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            <description>A name given to the resource</description>
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                <text>Ancien HÃ´tel Excelsior</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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              <name>Description</name>
              <description>An account of the resource</description>
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            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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                <text>VIDAL, Jacques</text>
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                <text>POUILLON, Fernand </text>
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            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>AlgÃ©rie</text>
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                <text>Alger</text>
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            <name>Creator</name>
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                <text>Mutual Heritage</text>
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            <description>An account of the resource</description>
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                <text>Demeure turque Ã  lâ€™origine, ce bÃ¢timent devient une rÃ©sidence pour les hiverneurs en 1889. Le phÃ©nomÃ¨ne touristique a jouÃ© un rÃ´le important dans la diffusion du courant nÃ©o-mauresque Ã  Alger : la famille des architectes Guiauchain qui lâ€™a acquis le transforme, au lendemain de la PremiÃ¨re Guerre mondiale, y introduisant des panneaux de plÃ¢tre sculptÃ© et des carreaux de cÃ©ramique dâ€™inspiration locale. Lâ€™hÃ´tel est agrandi par Jacques Vidal en 1959, puis par Fernand Pouillon en 1980.</text>
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            <description>An unambiguous reference to the resource within a given context</description>
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                <text>http://mutual-heritage.crevilles-dev.org/alger/items/show/112</text>
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              <elementText elementTextId="2189">
                <text>Carte du patrimoine architectural XIXe-XXe siÃ¨cles d'Alger. Mutual Heritage, 2010. p.11</text>
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                <text>hÃ´tel</text>
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                <text>HÃ´tel El-DjezaÃ¯r</text>
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              <name>Title</name>
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                  <text>Edifices-Alger</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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                <text>PETIT, Henri </text>
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            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>AlgÃ©rie</text>
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                <text>Alger</text>
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                <text>1905</text>
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            <name>Creator</name>
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                <text>Mutual Heritage</text>
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            <description>An account of the resource</description>
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                <text>Henri Petit, qui fut lâ€™un des architectes les plus prolifiques de cette pÃ©riode nÃ©o-mauresque, construit en 1905 lâ€™un des premiers Ã©difices se rattachant Ã  ce courant : la mÃ©dersa dâ€™Alger. OrganisÃ©e sur un plan centrÃ©, la mÃ©dersa est couverte de plusieurs coupoles rappelant la mosquÃ©e de la PÃªcherie (XVIIe siÃ¨cle) de la place des Martyrs. Lâ€™annÃ©e de son inauguration, une exposition dâ€™art musulman y est organisÃ©e ce qui, selon lâ€™historienne Nabila Oulebsir â€œdonne Ã  voir Ã  un large public les caractÃ©ristiques de cet art dans un bÃ¢timent qui sâ€™en inspireâ€.</text>
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                <text>http://mutual-heritage.crevilles-dev.org/alger/items/show/113</text>
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                <text>Carte du patrimoine architectural XIXe-XXe siÃ¨cles d'Alger. Mutual Heritage, 2010. p.12</text>
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                <text>NÃ©o-mauresque (style)</text>
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            <description>A name given to the resource</description>
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                <text>Office National dâ€™Enseignement et de Formation Ã  distance</text>
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