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                  <text>Edifices-Casablanca</text>
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                <text>BOYER, Marius</text>
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                <text>BALOIS, Jean</text>
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                <text>Maroc, Casablanca</text>
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                <text>Alluchon, Jacqueline</text>
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                <text>Depuis son arrivÃ©e Ã  Casablanca en 1919, Marius Boyer compte Ã  son actif de nombreuses rÃ©alisations importantes. La diversitÃ© de ses registres stylistiques a pour trait commun sa maÃ®trise et sa force crÃ©atrice.&#13;
&#13;
Pour exemple, ce bÃ¢timent dâ€™angle Art-dÃ©co de quatre niveaux sur rez-de-chaussÃ©e, Ã  qui lâ€™architecte a rÃ©ussi Ã  confÃ©rer une dimension monumentale, grÃ¢ce notamment, au traitement savant de la travÃ©e principale, au-dessus de lâ€™entrÃ©e.  Elle est surmontÃ©e dâ€™une superstructure encadrÃ©e en terrasse de deux larges auvents en porte-Ã -faux dÃ©ployÃ©s en ailes dâ€™avion - peut-Ãªtre en rapport avec les noms des aviateurs, hÃ©ros de la PremiÃ¨re Guerre mondiale, avaient Ã©tÃ© donnÃ©s aux rues de ce quartier.&#13;
&#13;
Un dÃ©cor de petits carreaux de grÃ¨s bleus et or, au-dessus de la porte dâ€™entrÃ©e, rappelle celui qui orne lâ€™immeuble Glaoui contemporain, rÃ©alisÃ© Ã©galement avec Jean Balois, associÃ© de 1925 Ã  1929, et installÃ© Ã  Rabat.</text>
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                <text>http://mutual-heritage.crevilles-dev.org/casablanca/items/show/88</text>
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                <text>http://mutual-heritage.crevilles-dev.org/casablanca/archive/files/14d8355dc84091c0b88d6a1625fe7f57.jpg</text>
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                <text>Guide des architectures du XXe siÃ¨cle de Casablanca, avril 2011, CasamÃ©moire et Mutual Heritage, p. 82</text>
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            <description>The topic of the resource</description>
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                <text>immeuble</text>
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                <text>art dÃ©co (style)</text>
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                <text>auvent</text>
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                <text>Immeuble sociÃ©tÃ© mutuelle hypothÃ©caire sud-amÃ©ricaine</text>
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              <description>An account of the resource</description>
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                <text>HINNEN, Erwin</text>
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            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>Maroc, Casablanca</text>
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                <text>1935</text>
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                <text>Alluchon, Jacqueline</text>
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                <text>En 1935, Jabin (voir Moretti-Milone) et Hinnen introduisent sur lâ€™ex place de France, une Ã©criture qui va participer du visage moderne de la ville, sans rÃ©fÃ©rences aux styles NÃ©o-classique, NÃ©o-mauresque ou Art-dÃ©co des constructions du centre. &#13;
&#13;
Ici, de longs bandeaux blancs, entourant les baies carrÃ©es et les meneaux ocre, cernent le bÃ¢timent sur trois faces. &#13;
&#13;
60 appartements sont desservis, Ã  partir de 4 halls dâ€™entrÃ©e, par des escaliers reliÃ©s entre eux par des coursives. &#13;
&#13;
PÃ©nÃ©trer dans lâ€™un dâ€™entre eux, situÃ© sous les arcades donnant sur la place, Ã  cÃ´tÃ© du "CafÃ© de France", permet dâ€™admirer une cage dâ€™escalier circulaire au graphisme d'une simplicitÃ© Ã©tonnante. </text>
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                <text>http://mutual-heritage.crevilles-dev.org/casablanca/items/show/45</text>
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                <text>Guide des architectures du XXe siÃ¨cle de Casablanca, avril 2011, CasamÃ©moire et Mutual Heritage, p. 70</text>
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                <text>immeuble</text>
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                <text>moderne (style)</text>
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                <text>meneau</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Immeuble Socifrance</text>
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              <name>Title</name>
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                <text>SURAQUI, Joseph</text>
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                <text>SURAQUI, Elias</text>
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                <text>Maroc, Casablanca</text>
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                <text>Contrairement Ã  lâ€™immeuble mitoyen parfaitement art-dÃ©co signÃ© ces mÃªmes frÃ¨res Suraqui (voir Immeuble Tabet), celui-ci affiche sa diffÃ©rence, dans un style fonctionnaliste, proche de lâ€™architecture de lâ€™Europe de l'Est.&#13;
&#13;
Une telle juxtaposition dÃ©montre sans ambiguÃ¯tÃ© la capacitÃ©  des architectes de lâ€™Ã©poque, oeuvrant dans Casablanca, de passer dâ€™un style Ã  lâ€™autre et de les expÃ©rimenter tous en fonction de la demande. &#13;
&#13;
En lâ€™occurrence ce bÃ¢timent est la propriÃ©tÃ© des deux architectes. Ils y dÃ©veloppent leurs goÃ»t personnels.&#13;
&#13;
Les bow-windows dÃ©multiplient lâ€™accÃ¨s Ã  la lumiÃ¨re et encadrent, au centre du bÃ¢timent, de profondes loggias.&#13;
&#13;
Les halls dâ€™entrÃ©e illustrent le soin apportÃ© aux dÃ©tails de lâ€™amÃ©nagement intÃ©rieur, en particulier les ferronneries art-dÃ©co de lâ€™escalier. </text>
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                <text>Guide des architectures du XXe siÃ¨cle de Casablanca, avril 2011, CasamÃ©moire et Mutual Heritage, p. 45</text>
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                <text>Immeuble Suraqui</text>
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                <text>A lâ€™angle du boulevard de Paris et de la rue A. Sahraoui, lâ€™immeuble Tabet ferme une sÃ©quence entamÃ©e au carrefour de lâ€™avenue Moulay Hassan I, offrant une sÃ©rie dâ€™immeubles Art DÃ©co signÃ©s Jabin, Cadet et Brion ou Aldo Manassi. &#13;
&#13;
Celui-ci, plus modeste, ne compte que quatre niveaux, dont un appartement en terrasse. &#13;
&#13;
Il dÃ©veloppe en revanche une profusion de dÃ©tails ornementaux, en particulier le dÃ©cor sculptÃ© des motifs floraux art-dÃ©co, en sous-faces des balcons et des auvents. Un peu comme si les maÃ§ons italiens avaient voulu offrir au passant, levant la tÃªte, un catalogue de leur savoir-faire. &#13;
&#13;
Cet immeuble est Ã  voir avec son mitoyen, Ã©galement signÃ© des frÃ¨res Suraqui (Immeuble Suraqui). </text>
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                <text>Guide des architectures du XXe siÃ¨cle de Casablanca, avril 2011, CasamÃ©moire et Mutual Heritage, p. 44</text>
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                <text>Immeuble Tabet</text>
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                <text>De mÃªme que le grand Ã®lot lui faisant face - celui traversÃ© par le passage commerÃ§ant reliant la rue Tata au boulevard de Paris - cet ensemble a Ã©tÃ© commandÃ© par Haj Omar Tazi, Pacha de Casablanca.&#13;
&#13;
CaractÃ©risÃ© par trois faÃ§ades - creusÃ©es au dernier Ã©tage de balcons soutenus par des colonnes au dÃ©cor de zellijs - et rythmÃ©e de frontons Ã  redents, le bÃ¢timent est conÃ§u dans un style art-dÃ©co ayant conservÃ© des Ã©lÃ©ments d'art-nouveau, tels ces ouvertures en plein cintre, ces allÃ¨ges et ces auvents aux lignes courbes, de mÃªme que les panneaux de zellijs aux motifs figuratifs.&#13;
&#13;
L'immeuble fait partie de la vÃ©ritable "collection" que constituent les bÃ¢timents convergents vers la place circulaire du 16 novembre. &#13;
&#13;
Il est l'Å“uvre d'Aldo Manassi, un des architectes italiens prÃ©sents Ã  Casablanca les plus prolixes. Son activitÃ© est attestÃ©e dÃ¨s 1921, on perd sa trace Ã  la veille de la Seconde guerre. Ses projets se rÃ©fÃ¨rent dans un premier temps au style nÃ©o-classique et Ã  l'ornementation baroque, avant d'Ã©voluer vers l'art-dÃ©co dans les annÃ©es 30.</text>
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                <text>http://mutual-heritage.crevilles-dev.org/casablanca/items/show/185</text>
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                <text>Guide architectural de Casablanca, avril 2011, CasamÃ©moire et Mutual Heritage, p. 73</text>
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                <text>art dÃ©co (style)</text>
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                <text>redent</text>
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              <description>An account of the resource</description>
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                  <text/>
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                <text>GOUYON, Jacques</text>
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                <text>Maroc, Casablanca</text>
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                <text>1952</text>
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                <text>Alluchon, Jacqueline</text>
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                <text>Cet immeuble de 16 Ã©tages prÃ©sente un spectaculaire jeu de balcons filants, traitÃ©s en rubans ondoyants qui semblent flotter sans interruption devant la faÃ§ade en retrait, sans pour autant cacher la structure des poutres en porte-Ã -faux qui les soutiennent. Les allÃ¨ges, minces, sont surmontÃ©es de garde-corps grillagÃ©s. &#13;
&#13;
Lâ€™appellation "Villas Paquet"  fait rÃ©fÃ©rences aux nombreuses dÃ©pendances et services dont disposent les appartements qui apparentent ces derniers Ã  des maisons individuelles. &#13;
&#13;
Avec lâ€™immeuble Marignan de 12 Ã©tages, plus massif, surmontÃ© dâ€™une galette percÃ©e dâ€™oculi, situÃ© en face, celui-ci introduit une rupture dâ€™Ã©chelle sur le boulevard Mohamed V. &#13;
&#13;
L'Ã©criture "paquebot", semblable Ã  celle de lâ€™immeuble libertÃ©, rappelle Ã©galement celle de lâ€™ensemble Fraternelle du nord, de lâ€™autre cotÃ© du rond point.</text>
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            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="476">
                <text>http://mutual-heritage.crevilles-dev.org/casablanca/items/show/44</text>
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              <elementText elementTextId="477">
                <text>http://mutual-heritage.crevilles-dev.org/casablanca/archive/files/99178ce6c584ccab906efea023755c8d.jpg</text>
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                <text>FR</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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              <elementText elementTextId="479">
                <text>Guide des architectures du XXe siÃ¨cle de Casablanca, avril 2011, CasamÃ©moire et Mutual Heritage, p. 100</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>immeuble</text>
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                <text>tour</text>
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                <text>moderne (style)</text>
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                <text>porte-Ã -faux</text>
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                <text>paquebot (style)</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="481">
                <text>Immeuble villas Paquet</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Edifices-Alger</text>
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              <description>An account of the resource</description>
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                  <text/>
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          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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                <text>MARIE, Pierre </text>
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            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>AlgÃ©rie</text>
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                <text>Alger</text>
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                <text>1952</text>
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                <text>Mutual Heritage</text>
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            <description>An account of the resource</description>
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                <text>Lâ€™influence des thÃ©ories de Le Corbusier sur les architectes ayant exercÃ© Ã  Alger est particuliÃ¨rement flagrante dans cet im- meuble-pont, rÃ©alisÃ© par Pierre Marie en 1952. Lâ€™idÃ©e que Le Corbusier avait eue dâ€™un viaduc habitable dans son plan OBUS, projet restÃ© Ã  lâ€™Ã©tat de projet, se concrÃ©tise de faÃ§on plutÃ´t rÃ©ussie ici : cette construction, parfaitement adaptÃ©e Ã  la topographie du site, est donc Ã  la fois conÃ§ue comme un ouvrage dâ€™art et comme un immeuble dâ€™habitation.</text>
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                <text>http://mutual-heritage.crevilles-dev.org/alger/items/show/149</text>
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                <text>http://mutual-heritage.crevilles-dev.org/alger/archive/files/2a320621943396d16fb75b42c33f671f.jpg</text>
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                <text>Carte du patrimoine architectural XIXe-XXe siÃ¨cles d'Alger. Mutual Heritage, 2010. p.23</text>
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                <text>CHASSAGNE, Pierre</text>
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                <text>Alluchon, Jacqueline</text>
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                <text>La citÃ©-jardin du quartier Bourgogne est construite Ã  partir de 1946, par lâ€™office chÃ©rifien de lâ€™habitat pour des fonctionnaires.&#13;
&#13;
Au centre dâ€™un Ã®lot triangulaire, lâ€™immeuble de Chassagne est implantÃ© en retrait de lâ€™alignement du boulevard. Le percement central du bÃ¢timent, sur trois Ã©tages, est conÃ§u comme une porte monumentale dans lâ€™axe du bassin ornant le jardin.&#13;
&#13;
Chaque bÃ¢timent comporte 40 appartements, de 2 Ã  5 piÃ¨ces, ouvrant sur de profondes loggias. Pour cet habitat Â«Â bon marchÃ©Â Â», les surfaces sont gÃ©nÃ©reuses, notamment celles des livings dotÃ©s dâ€™une cheminÃ©e, des chambres supÃ©rieures Ã  16m2 et des balcons buanderies.&#13;
&#13;
Sur les faÃ§ades arriÃ¨re sont regroupÃ©s les piÃ¨ces dâ€™eau et deux des 4 escaliers abritÃ©s derriÃ¨re des claustras-moucharabiehs.&#13;
&#13;
Lâ€™ensemble sera complÃ©tÃ© par dâ€™autres immeubles confiÃ©s Ã  Edmond et Jean Gourdain et Marius Boyer qui terminera lâ€™Ã®lot par une station-service. </text>
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              <elementText elementTextId="1002">
                <text>Guide des architectures du XXe siÃ¨cle de Casablanca, avril 2011, CasamÃ©moire et Mutual Heritage, p. 30</text>
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            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="1994">
                <text>Mutual Heritage</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="1995">
                <text>http://mutual-heritage.crevilles-dev.org/tunis/items/show/76</text>
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              <elementText elementTextId="1996">
                <text>http://mutual-heritage.crevilles-dev.org/tunis/archive/files/c3f1fedc8b64dfba2e619ad71e588527.jpg</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>immeuble d'habitations</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="1998">
                <text>Immeubles rue du Docteur Cassar</text>
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                  <text>Edifices-Casablanca</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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            <name>Contributor</name>
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                <text>CANDILIS, Georges</text>
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                <text>WOODS, Shadrach</text>
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                <text>BODIANSKI, Vladimir</text>
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                <text>PIOT, Heni</text>
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            <name>Coverage</name>
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                <text>Maroc, Casablanca</text>
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                <text>1952</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Alluchon, Jacqueline</text>
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            <name>Date</name>
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                <text>2011</text>
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                <text>Lâ€™Ã©quipe dâ€™ATBAT AFRIQUE expÃ©rimente avec ces trois immeubles un concept de logement collectif pour les Marocains.&#13;
&#13;
Ils sont construits sur la trame de 8m x 8m, dÃ©finie par le service de lâ€™habitat, dirigÃ© par le service de Michel Ecochard pour le logement Ã  rez de chaussÃ©e et patio, et mise en Å“uvre dans les opÃ©rations destinÃ©es Ã  la rÃ©sorption des bidonvilles.&#13;
&#13;
InspirÃ©s par les habitations traditionnelles (kasbahs, ksours, villages fortifiÃ©s) ATBAT-AFRIQUE invente les logements Ã  patio superposÃ©s dâ€™oÃ¹ les noms "Nid dâ€™abeille" et "SÃ©miramis".&#13;
&#13;
Cette expÃ©rience, objet de nombreuses publications, prÃ©sentÃ©e au 9e CIAM (congrÃ¨s international de lâ€™architecture moderne) en 1953 Ã  Aix-en-Provence, devient une rÃ©fÃ©rence pour le mouvement de contestation du Team 10 menÃ© par Alison et Peter Smithson et dont fera partie Georges Candilis. &#13;
&#13;
Lâ€™Ã©tat actuel des bÃ¢timents, dont les patios ont Ã©tÃ© systÃ©matiquement obturÃ©s par les usagers, montre les limites de lâ€™expÃ©rience. </text>
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            <name>Identifier</name>
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                <text>http://mutual-heritage.crevilles-dev.org/casablanca/items/show/54</text>
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                <text>http://mutual-heritage.crevilles-dev.org/casablanca/archive/files/e9ba2748049343361c034471e3564f80.jpg</text>
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            <name>Language</name>
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                <text>FR</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>Guide des architectures du XXe siÃ¨cle de Casablanca, avril 2011, CasamÃ©moire et Mutual Heritage, p. 121</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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              <elementText elementTextId="609">
                <text>immeuble</text>
              </elementText>
              <elementText elementTextId="5365">
                <text>moderne (style)</text>
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              <elementText elementTextId="5366">
                <text>patio</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Immeubles SÃ©miramis et Nid dâ€™abeille</text>
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