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                <text>PETIT, Henri </text>
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            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>AlgÃ©rie</text>
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                <text>1906</text>
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                <text>Pour le siÃ¨ge de La DÃ©pÃªche algÃ©rienne quâ€™il Ã©difie en 1906, Henri Petit nâ€™hÃ©site pas Ã  dÃ©tourner des motifs de lâ€™architecture religieuse musulmane pour les plaquer sur des Ã©difices civils, leur faisant ainsi perdre tout leur sens. Comme bien dâ€™autres architectes auteurs de bÃ¢timents nÃ©o-mauresques au Maghreb, Petit intÃ¨gre un minaret Ã  la faÃ§ade du bÃ¢timent. Si les praticiens dâ€™alors nâ€™hÃ©sitent pas Ã  puiser aux sources de la culture locale, ils le font de faÃ§on parfois totalement dÃ©contextualisÃ©e en expurgeant les modÃ¨les de leur signification originelle.</text>
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                <text>http://mutual-heritage.crevilles-dev.org/alger/items/show/114</text>
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                <text>Carte du patrimoine architectural XIXe-XXe siÃ¨cles d'Alger. Mutual Heritage, 2010. p.12</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>bÃ¢timent public</text>
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                <text>NÃ©o-mauresque (style)</text>
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                <text>SiÃ¨ge du Rassemblement National DÃ©mocratique</text>
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                <text>PETIT, Henri </text>
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                <text>AlgÃ©rie</text>
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                <text>Å’uvre dâ€™Henri Petit, lâ€™Ã©glise anglicane de la Sainte-TrinitÃ© est construite en 1909 en remplacement de la premiÃ¨re Ã©glise anglicane dâ€™Alger, Ã©difiÃ©e en 1870 dans le centre-ville. Cette nouvelle Ã©glise sâ€™inscrit dans la lignÃ©e des constructions nÃ©o-mauresques que Petit conÃ§oit dans lâ€™esprit des recommandations du gouverneur Jonnart (le siÃ¨ge du RND ou le MAMA). La construction de ce bÃ¢timent est liÃ©e Ã  lâ€™importante communautÃ© anglaise qui sâ€™est implantÃ©e Ã  Alger quelques annÃ©es aprÃ¨s la colonisation franÃ§aise. Elle est composÃ©e, dâ€™une part, de travailleurs essentiellement dâ€™origine maltaise et, dâ€™autre part, de familles aisÃ©es passant rÃ©guliÃ¨rement lâ€™hiver Ã  Alger, Ã  partir des annÃ©es 1870, dans leurs riches demeures.</text>
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                <text>http://mutual-heritage.crevilles-dev.org/alger/items/show/115</text>
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                <text>Carte du patrimoine architectural XIXe-XXe siÃ¨cles d'Alger. Mutual Heritage, 2010. p.12</text>
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                <text>Ã©glise</text>
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                <text>Ã‰glise anglicane de la Sainte-TrinitÃ©</text>
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                <text>VOINOT, Jules </text>
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                <text>TOUDOIRE, Marius </text>
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                <text>AlgÃ©rie</text>
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                <text> 1907-1910</text>
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                <text>Certainement le monument le plus emblÃ©matique de la â€œpÃ©riode Jonnartâ€, la Grande Poste est construite par Jules Voinot et Marius Toudoire entre 1907 et 1910. Câ€™est lâ€™un des premiers Ã©difices publics Ã©difiÃ©s sur le boulevard LaferriÃ¨re, dont lâ€™amÃ©nagement culmine dans les annÃ©es 1920-1930. Le hall dâ€™entrÃ©e est traitÃ© selon un programme dÃ©coratif particuliÃ¨rement riche, inspirÃ© de la tradition locale ; il est coiffÃ© dâ€™une coupole sâ€™inspirant des traditionnels panneaux de plÃ¢tre sculptÃ©s, mais rÃ©interprÃ©tÃ©s dans une vision orientaliste moderne.</text>
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                <text>http://mutual-heritage.crevilles-dev.org/alger/items/show/116</text>
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                <text>http://mutual-heritage.crevilles-dev.org/alger/archive/files/d1c243f82ebbb475e7383b569c72ea86.jpg</text>
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                <text>Carte du patrimoine architectural XIXe-XXe siÃ¨cles d'Alger. Mutual Heritage, 2010. p.13</text>
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                <text>bureau de poste</text>
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                <text>Grande poste</text>
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                  <text>Edifices-Alger</text>
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                <text>VOINOT, Jules </text>
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                <text>AlgÃ©rie</text>
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                <text>Au dÃ©but du siÃ¨cle, sous lâ€™impulsion du gouverneur Jonnart, de nombreux Ã©difices officiels sont conÃ§us dans un esprit nÃ©o-mauresque, dans le but de donner Ã  la ville une image plus en conformitÃ© avec sa culture locale. Jules Voinot construit entre 1908 et 1913 la PrÃ©fecture dâ€™Alger dans laquelle il conÃ§oit une riche dÃ©coration faite de panneaux de plÃ¢tre sculptÃ©s, de carreaux de cÃ©ramique polychromes et de colonnades de marbre.</text>
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                <text>http://mutual-heritage.crevilles-dev.org/alger/items/show/117</text>
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                <text>Carte du patrimoine architectural XIXe-XXe siÃ¨cles d'Alger. Mutual Heritage, 2010. p.13</text>
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                <text>bÃ¢timent administratif</text>
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                <text>Wilaya dâ€™Alger</text>
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                <text>PETIT, Henri </text>
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                <text>AlgÃ©rie</text>
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                <text>Alger</text>
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                <text>En 1914, Henri Petit intÃ¨gre Ã  nouveau un minaret dans un Ã©difice nÃ©o-mauresque qui, cette fois, a une vocation commerciale : le magasin des Galeries de France, devenu Galeries algÃ©riennes puis, en 2007, musÃ©e dâ€™Art moderne dâ€™Alger. Lâ€™Ã©difice sâ€™organise autour dâ€™un plan spÃ©cifique aux modÃ¨les des grands magasins europÃ©ens mais son dÃ©cor reste dâ€™inspiration locale. Hormis quelques minces transformations pour lâ€™amÃ©nagement du MAMA (blanchiment des murs, dÃ©placement de lâ€™escalier principal), lâ€™Ã©difice offre une image proche de celle qui Ã©tait la sienne lors de son inauguration.</text>
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                <text>http://mutual-heritage.crevilles-dev.org/alger/items/show/118</text>
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                <text>Carte du patrimoine architectural XIXe-XXe siÃ¨cles d'Alger. Mutual Heritage, 2010. p.13</text>
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                <text>musÃ©e</text>
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                <text>Lâ€™ancien musÃ©e des AntiquitÃ©s est Ã©difiÃ© en 1897 pour remplacer le premier musÃ©e qui avait Ã©tÃ© Ã©tabli dans la Casbah dans les annÃ©es 1830. Ã€ lâ€™occasion de la cÃ©lÃ©bration du centenaire de la colonisation, en 1930, lâ€™architecte Gabriel DarbÃ©da (1869-1949) rÃ©nove le musÃ©e et Ã©lÃ¨ve la faÃ§ade sur le parc de la LibertÃ©, en reprenant les formes de la porte monumentale de la mosquÃ©e Sidi Boumedine de Tlemcen. En 2004, le musÃ©e des Arts islamiques est amÃ©nagÃ© dans un ancien bÃ¢timent administratif annexe.</text>
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                <text>Sâ€™il est Ã©levÃ© entre 1917 et 1920 Ã  un moment oÃ¹ le nÃ©o-mauresque perd du terrain, le palais des AssemblÃ©es, construit par Gabriel DarbÃ©da, affiche une faÃ§ade nÃ©o-renaissance et une esthÃ©tique sâ€™inscrivant parfaitement dans celle du boulevard du Front de mer. AprÃ¨s la chambre des DÃ©putÃ©s (1962), il accueille dÃ©sormais la chambre des SÃ©nateurs.</text>
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                <text>De la mÃªme faÃ§on que DarbÃ©da, lâ€™architecte Gustave Umbdenstock, qui construit la Banque centrale dâ€™AlgÃ©rie en 1918, choisit dâ€™inscrire le bÃ¢timent dans lâ€™esthÃ©tique gÃ©nÃ©rale du boulevard. LÃ  encore, lâ€™architecte puise dans des rÃ©fÃ©rents dâ€™inspiration europÃ©enne. Dâ€™aprÃ¨s PhilomÃ¨ne Bon et Karine Thomas, â€œla porte dâ€™entrÃ©e monumentale, Å“uvre de Fourquet, est inspirÃ©e des Atlantes de Puget (1620-1694) de lâ€™hÃ´tel de ville de Toulonâ€.</text>
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                <text>Carte du patrimoine architectural XIXe-XXe siÃ¨cles d'Alger. Mutual Heritage, 2010. p.14</text>
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                <text>PETIT, Henri </text>
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                <text>Ce bÃ¢timent fut conÃ§u par les architectes Henri Petit et Georges Garnier en 1920 pour accueillir le grand magasin Le Bon MarchÃ©. Comme les espaces commerciaux de ce genre, le bÃ¢timent est organisÃ© autour dâ€™un immense atrium, avec trois niveaux de galeries ceinturÃ©s dâ€™une structure mÃ©tallique. En 1952, lâ€™architecte Marcel LathuilliÃ¨re rabaisse la verriÃ¨re afin de ne plus couvrir que le rez-de-chaussÃ©e oÃ¹ sont maintenus les commerces, tandis que les autres niveaux sont transformÃ©s en bureaux. Avant lâ€™IndÃ©pendance, lâ€™immeuble est rehaussÃ© de trois niveaux.</text>
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                <text>Carte du patrimoine architectural XIXe-XXe siÃ¨cles d'Alger. Mutual Heritage, 2010. p.14</text>
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                <text>Immeuble de rapport 40-42 rue Larbi Ben mâ€™Hidi</text>
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                <text>Câ€™est lâ€™une des artÃ¨res les plus animÃ©es de la ville, bordÃ©e dâ€™immeubles qui tÃ©moignent dâ€™une richesse dÃ©corative et dâ€™une grande diversitÃ© stylistique. Plus on â€œmonteâ€ dans la rue, plus les bÃ¢timents sont dâ€™Ã©poque rÃ©cente. Au nÂ° 1, lâ€™Ã©difice dâ€™angle est particuliÃ¨rement intÃ©ressant car on y lit la dynamique de lâ€™escalier sur la faÃ§ade. Aux nÂ° 38 et 40, on distingue les prÃ©misses de lâ€™architecture du Mouvement moderne. Au nÂ° 133 sâ€™Ã©lÃ¨ve lâ€™un des premiers bÃ¢timents construits en bÃ©ton armÃ© Ã  Alger par les entreprises Hennebique.</text>
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                <text>Carte du patrimoine architectural XIXe-XXe siÃ¨cles d'Alger. Mutual Heritage, 2010. p.14</text>
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