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                <text>Cet immeuble, reflet du style Ã©clectique, est une admirable rÃ©alisation dâ€™inspiration nÃ©o-florentine. &#13;
&#13;
Il se distingue par une richesse et un raffinement dÃ©coratifs, tant intÃ©rieurs quâ€™extÃ©rieursÂ : une majestueuse faÃ§ade parcourue dâ€™un dÃ©licat enchevÃªtrement de balcons savamment ouvragÃ©s, dâ€™Ã©lÃ©gantes balustrades et consoles, dâ€™arcades et de moulures vÃ©nitiennes auxquels fait Ã©cho une cage dâ€™escalier lambrissÃ©e de faÃ¯ences, agrÃ©mentÃ©e dâ€™une rampe en fer forgÃ© aux dÃ©licats motifs.&#13;
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                <text>immeuble d'habitations</text>
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                <text>Immeuble Disegni</text>
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                <text>Ce bÃ¢timent est lâ€™un des rares monuments religieux de lâ€™hypercentre. Ã‰difiÃ©e sur lâ€™emplacement de lâ€™ancien cimetiÃ¨re catholique Ã  la place de la CathÃ©drale provisoire Ã©levÃ©e en 1882, la CathÃ©drale fut complÃ©tÃ©e par l'ajout des beffrois jumelÃ©s qui reprÃ©sentent un bon exemple de lâ€™utilisation du procÃ©dÃ© de bÃ©ton armÃ© Hennebique. &#13;
&#13;
De style nÃ©o-byzantin, cette cathÃ©drale a su conserver ses bas-reliefs, ses moulures ainsi que la richesse de ses garnitures. Le dÃ©gagement par rapport Ã  la chaussÃ©e et son emplacement au sein de la place de lâ€™IndÃ©pendance offrent un espace propice Ã  la bonne visualisation de la rigueur de la composition et du gabarit Ã©lancÃ© de la CathÃ©drale. </text>
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                <text>http://mutual-heritage.crevilles-dev.org/tunis/items/show/7</text>
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                <text>CathÃ©drale Saint-Vincent-de-Paul </text>
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                <text>COLIN, Pierre</text>
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                <text>Tunisie</text>
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                <text>Consulat de France puis RÃ©sidence GÃ©nÃ©rale de la FranceÂ en Tunisie, avant dâ€™Ãªtre ambassade et consulat du mÃªme pays, ce bÃ¢timent occupe tout un Ã®lot dont une faÃ§ade donne sur la place de lâ€™IndÃ©pendance. &#13;
&#13;
Cet Ã©difice forme un point fort dans le principal parcours de lâ€™hypercentre grÃ¢ce Ã  un jardin dÃ©limitÃ© par une Ã©lÃ©gante clÃ´ture en fer forgÃ©.&#13;
&#13;
Le corps central, une villa de style nÃ©oclassique, est le premier bÃ¢timent notable Ã©rigÃ© hors de la MÃ©dina. Les deux pavillons latÃ©raux sont ajoutÃ©s en 1890, Ã  lâ€™alignement des rues voisines pour former une cour dâ€™honneur. &#13;
&#13;
Les bÃ¢timents ont Ã©tÃ© restaurÃ©s de mai 1998 Ã  novembre 1999.&#13;
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                <text>http://mutual-heritage.crevilles-dev.org/tunis/items/show/6</text>
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                <text>PETERS, Auguste</text>
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                <text>De style Ã©clectique, ce bÃ¢timent abrita successivement une succursale de la Banque dâ€™AlgÃ©rie, les bureaux du Front de LibÃ©ration National AlgÃ©rien, la Maison du Parti et tardivement le Tribunal administratif de Tunis. &#13;
&#13;
MalgrÃ© ses dimensions plutÃ´t modestes, lâ€™Ã©difice possÃ¨de une allure monumentale grÃ¢ce Ã  lâ€™utilisation de matÃ©riaux nobles et lâ€™emploi dâ€™un registre dÃ©coratif Ã©laborÃ© (moulures en stuc de style rocaille, verriÃ¨res Ã  vitraux Ã©laborÃ©sâ€¦).&#13;
&#13;
Cet Ã©difice a Ã©tÃ© restaurÃ© par lâ€™ASM en 1999.&#13;
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                <text>Tunisie</text>
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                <text>Ce bÃ¢timent dâ€™angle des annÃ©es 1940 prÃ©sente un intÃ©rÃªt architectural quant Ã  ses faÃ§ades urbaines et aux typologies de ses appartements. En effet, cet immeuble rompt avec la typologie de lâ€™immeuble traditionnel.  &#13;
&#13;
La toiture-terrasse est Ã©tagÃ©e en retrait offrant ainsi un maximum de lumiÃ¨re et dâ€™air aux appartements situÃ©s aux derniers Ã©tages.  &#13;
&#13;
Son rez-de-chaussÃ©e est constituÃ© dâ€™une galerie marchande oÃ¹ se sont installÃ©es les boutiques les plus prestigieuses de la capitale.</text>
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                <text>De type classique Ã  tendance Ã©clectique, ce bÃ¢timent prÃ©sente une faÃ§ade parfaitement symÃ©trique constituÃ©e dâ€™un soubassement, dâ€™un corps et dâ€™un entablement.&#13;
&#13;
La faÃ§ade sâ€™ouvre en son milieu par une porte dâ€™entrÃ©e monumentale surmontÃ©e dâ€™un balcon et flanquÃ©e de part et dâ€™autre par deux consoles richement ornÃ©es. Lâ€™entablement est constituÃ© dâ€™un fronton situÃ© sur lâ€™axe central de la faÃ§ade et dâ€™une frise qui vient couronner tout le bÃ¢timent, assurant ainsi son unitÃ©.&#13;
&#13;
Ce bÃ¢timent, ex-Grand HÃ´tel, a abritÃ© le siÃ¨ge de la banque CrÃ©dit Foncier et Commercial de Tunisie, avant dâ€™avoir Ã©tÃ© rÃ©cemment reconverti en HÃ´tel Tunisia Palace.</text>
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                <text>http://mutual-heritage.crevilles-dev.org/tunis/items/show/3</text>
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                <text>hÃ´tel</text>
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                <text>HÃ´tel Tunisia Palace</text>
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                  <text>Edifices-Tunis</text>
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                  <text/>
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                <text>Tunisie</text>
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                <text>1884</text>
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                <text>Composante emblÃ©matique de Tunis et lieu de cheminement des habitants de Tunis et de sa rÃ©gion depuis la fin du 19e siÃ¨cle, le MarchÃ© central est un lieu de convivialitÃ© Ã  composantes sociales multiples.&#13;
&#13;
Lâ€™analyse des plans topographiques de la fin du 19e siÃ¨cle met en Ã©vidence les Ã©tapes de dÃ©veloppement de la ville nouvelle. La gare et le MarchÃ© central en constituaient Ã  lâ€™Ã©poque les deux pÃ´les essentiels avec lâ€™avenue de France, lâ€™axe prÃ©fÃ©rentiel de croissance.&#13;
&#13;
ConsidÃ©rÃ© par les habitants de la ville comme le premier marchÃ© de Tunis dont lâ€™urbanitÃ© et les qualitÃ©s commerciales continuent Ã  Ãªtre apprÃ©ciÃ©es, le MarchÃ© central a impliquÃ©, dans lâ€™opÃ©ration de sa rÃ©habilitation, lâ€™adoption dâ€™un amÃ©nagement et dâ€™un parti architectural Ã  la fois audacieux et rationnel.</text>
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              <elementText elementTextId="1415">
                <text>http://mutual-heritage.crevilles-dev.org/tunis/items/show/2</text>
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            <description>The topic of the resource</description>
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                <text>marchÃ©</text>
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            <name>Title</name>
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                <text>MarchÃ© central de Tunis, Fondouk El Ghala</text>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Edifices-Casablanca</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text/>
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          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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              <elementText elementTextId="1396">
                <text>MORANDI, LÃ©onard</text>
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          </element>
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            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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              <elementText elementTextId="1397">
                <text>Maroc, Casablanca</text>
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                <text>1949-1950</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="1399">
                <text>Alluchon, Jacqueline</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="1400">
                <text>2011</text>
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            </elementTextContainer>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="1401">
                <text>L'immeuble LibertÃ© constitue une sorte d'aboutissement du style "paquebot", dÃ©veloppÃ© dans les annÃ©es 1930.&#13;
&#13;
D'une hauteur de 78 mÃ¨tres, comptant 17 Ã©tages, la tour Ã  l'enveloppe galbÃ©e, dÃ©finie comme "la premiÃ¨re expÃ©rience africaine Ã  grande hauteur" pour un immeuble Ã  appartements, est aujourd'hui encore considÃ©rÃ©e comme l'un des symboles le plus fort de l'architecture casablancaise.&#13;
&#13;
Donnant sur la place, les piÃ¨ces principales des appartements, orientÃ©es au sud, sont protÃ©gÃ©es des vents de l'ocÃ©an, situÃ© au nord. &#13;
&#13;
L'immeuble comporte un niveau de bureaux avec accÃ¨s par un escalier particulier. Quatre ascenseurs principaux et trois de services desservent les Ã©tages. &#13;
&#13;
Les bandeaux continus des balcons et les allÃ¨ges dÃ©limitent des vues panoramiques sur la ville.&#13;
&#13;
Les 16e et 17e Ã©tages bÃ©nÃ©ficient de terrasses abritÃ©es et de patio-jardins.&#13;
&#13;
L'un des habitants du LibertÃ©, l'industriel Lemaigre-Dubreuil, fut assassinÃ© au pied de l'immeuble, en 1955, pour ses positions anticolonialistes. La place porte son nom.</text>
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              <elementText elementTextId="1402">
                <text>http://mutual-heritage.crevilles-dev.org/casablanca/items/show/189</text>
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                <text>http://mutual-heritage.crevilles-dev.org/casablanca/archive/files/aba31aa16595324c0f1ad9c84c3a0059.jpg</text>
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            <description>A language of the resource</description>
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              <elementText elementTextId="1404">
                <text>FR</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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              <elementText elementTextId="1405">
                <text>Guide architectural de Casablanca, avril 2011, CasamÃ©moire et Mutual Heritage, p. 105</text>
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            </elementTextContainer>
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            <description>The topic of the resource</description>
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                <text>tour</text>
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                <text>paquebot (style)</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Immeuble LibertÃ©, dit le Dix-septiÃ¨me</text>
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              <description>A name given to the resource</description>
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                  <text>Edifices-Casablanca</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text/>
                </elementText>
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            </element>
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    <elementSetContainer>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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              <elementText elementTextId="1383">
                <text>DESMET, Marcel</text>
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              <elementText elementTextId="1384">
                <text>Maroc, Casablanca</text>
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                <text>1931-1932</text>
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              <elementText elementTextId="1386">
                <text>Alluchon, Jacqueline</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="1387">
                <text>2011</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="1388">
                <text>Desmet, dont c'est pratiquement le premier projet Ã  Casa, construit un ensemble compact de huit immeubles pour la compagnie d'assurances La Fraternelle du Nord, sur une parcelle triangulaire de 4000 m2.&#13;
&#13;
Huit escaliers et ascenseurs desservent, sur six Ã©tages, 156 appartements allant du studio aux cinq piÃ¨ces. Les halls d'entrÃ©e ornÃ©s de panneaux de miroirs, les circulations verticales, les paliers, de dimensions gÃ©nÃ©reuses, sont traitÃ©s avec une grande sobriÃ©tÃ©, sans aucune ornementation.&#13;
&#13;
Dans la cour triangulaire, une galerie marchande permet la circulation entre les trois voies bordant l'Ã®lot. Des loggias se creusent en faÃ§ade, derriÃ¨re les bandeaux lisses qui enveloppent l'ensemble. &#13;
&#13;
DotÃ©s de cheminÃ©es et de volumes spacieux, ces logements Ã  "moyen loyer", bÃ©nÃ©ficient d'un confort alors semblable Ã  celui des immeubles de "luxe" contemporains.&#13;
&#13;
Parmi les Ã©difices art-dÃ©co et nÃ©o-classique dominant le boulevard Mohammed-V, Desmet introduit, avec harmonie, dÃ¨s le dÃ©but des annÃ©es 30, ce style rÃ©solument moderne, fonctionnaliste.</text>
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            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="1389">
                <text>http://mutual-heritage.crevilles-dev.org/casablanca/items/show/188</text>
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            <description>A language of the resource</description>
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              <elementText elementTextId="1391">
                <text>FR</text>
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                <text>Guide architectural de Casablanca, avril 2011, CasamÃ©moire et Mutual Heritage, p. 102</text>
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                <text>immeuble</text>
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                <text>fonctionnaliste (style)</text>
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                <text>moderne (style)</text>
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            <description>A name given to the resource</description>
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                <text>Immeuble de la Fraternelle du Nord</text>
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            <element elementId="50">
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                  <text>Edifices-Casablanca</text>
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              <description>An account of the resource</description>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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              <elementText elementTextId="1370">
                <text>MANASSI, Aldo</text>
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                <text>Maroc, Casablanca</text>
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                <text>1919</text>
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                <text>2011</text>
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            <description>An account of the resource</description>
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                <text>ConÃ§u dans un style art-dÃ©co basique par l'Italien Manassi, le bÃ¢timent des Ã©tablissements Fiat occupe une emprise importante dans ce quartier de Mers-Sultan. &#13;
&#13;
Le rez-de-chaussÃ©e abrite salles d'exposition et garage ; l'Ã©tage, soulignÃ© par des ferronneries et des sculptures caractÃ©ristiques du style, est rÃ©servÃ© aux bureaux et aux appartements de fonction. &#13;
&#13;
L'accÃ¨s, implantÃ© sur le pan coupÃ© Ã  l'angle des rues Mostafa-EI-MÃ¢ani et Habacha, est signalÃ© par deux motifs verticaux prÃ©sentant le logo de la marque.&#13;
&#13;
On a dit de Casablanca, ville dÃ©pourvue de vÃ©ritables monuments, que ses grands repÃ¨res urbains Ã©taient ses banques, ses cinÃ©mas et ses garages. DÃ¨s 1919, des Ã©tablissements automobiles comme Fiat puis CitroÃ«n installent leur rÃ©seau dans cette ville nouvelle rÃ©solument tournÃ©e vers l'avenir.</text>
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                <text>http://mutual-heritage.crevilles-dev.org/casablanca/items/show/187</text>
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                <text>Guide architectural de Casablanca, avril 2011, CasamÃ©moire et Mutual Heritage, p. 89</text>
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          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="1380">
                <text>garage</text>
              </elementText>
              <elementText elementTextId="1381">
                <text>art dÃ©co (style)</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="1382">
                <text>Garage Fiat</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
</itemContainer>
