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                <text>BOYER, Marius</text>
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                <text>Maroc, Casablanca</text>
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                <text>Avec le siÃ¨ge de la B.C.M, Marius Boyer inscrit au centre-ville un emblÃ¨me significatif de la vocation Ã©conomique de la nouvelle mÃ©tropole.  &#13;
&#13;
Le bÃ¢timent dâ€™inspiration cubiste est surmontÃ© de deux tours laissant le centre de lâ€™Ã®lot ouvert sur la rue, ce qui permet lâ€™Ã©clairage naturel du hall des guichets Ã  double hauteur. &#13;
&#13;
Les angles du bÃ¢timent sont ponctuÃ©s de loggias en porte-Ã -faux, accolÃ©es aux deux tours. Elles prolongent les surfaces des appartements par de vÃ©ritables piÃ¨ces en plein air suspendues. &#13;
&#13;
La rigueur du parti cubiste est tempÃ©rÃ©e par lâ€™emploi de la pierre de SalÃ© encadrant verticalement les baies et recouvrant la galerie pÃ©riphÃ©rique du dernier niveau, donnant ainsi Ã  lâ€™ensemble lâ€™allure stylisÃ©e des kasbahs du grand sud marocain. &#13;
&#13;
Sur les faÃ§ades latÃ©rales, les entrÃ©es des logements sont signalÃ©es par une fente verticale, continue, Ã©clairant les cages dâ€™escalier. &#13;
&#13;
Plus compacte, sans dÃ©cor, hormis le marbre du soubassement, la faÃ§ade arriÃ¨re rÃ©vÃ¨le une modernitÃ© sans concession, proche du Bauhaus. </text>
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                <text>http://mutual-heritage.crevilles-dev.org/casablanca/items/show/17</text>
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                <text>Guide des architectures du XXe siÃ¨cle de Casablanca, avril 2011, CasamÃ©moire et Mutual Heritage, p. 81</text>
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                <text>banque</text>
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                <text>Attijariwafabank, Ex-B.C.M.</text>
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                <text>ZEHRFUSS, Bernard</text>
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                <text>bÃ¢timent administratif</text>
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                <text>BÃ¢timent des Postes et TÃ©lÃ©communications tunisiennes</text>
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                <text>BRION, Edmond</text>
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                <text>Maroc, Casablanca</text>
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                <text>1937</text>
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                <text>Alluchon, Jacqueline</text>
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                <text>Tout dans ce bÃ¢timent, le dernier construit sur la place, de lâ€™architecture monumentale au plus petit dÃ©tail, est digne dâ€™intÃ©rÃªt. Brion signe ici une Å“uvre considÃ©rÃ©e comme un des exemples les plus aboutis du style nÃ©o-marocain. &#13;
&#13;
La faÃ§ade principale, classique, est ornÃ©e dâ€™une frise monumentale de pierre sculptÃ©e, prolongÃ©e dâ€™un panneau de losanges dâ€™inspiration almohade, autour des baies de la grande salle de rÃ©union. &#13;
&#13;
La richesse des dÃ©cors â€“ pierres, zellijs, ferronneries, lambris marquetÃ©s â€“ sâ€™associe dans la conception Ã  la modernitÃ© du fonctionnement. &#13;
&#13;
Câ€™est la premiÃ¨re banque que Brion construit seul aprÃ¨s celles de Marrakech, El Jadida, Oujda et Rabat rÃ©alisÃ©es avec Cadet. &#13;
&#13;
On recommande la visite du hall du public surmontÃ© dâ€™une verriÃ¨re suspendue, oÃ¹ est exposÃ©e une sculpture de CÃ©sar, ami dâ€™Azagury, auteur avec Omar Alaoui de lâ€™extension en 1997. &#13;
&#13;
Pendant la journÃ©e du Patrimoine, on peut accÃ©der Ã  la salle de rÃ©union par un grand escalier monumental. </text>
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                <text>http://mutual-heritage.crevilles-dev.org/casablanca/items/show/18</text>
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                <text>Guide des architectures du XXe siÃ¨cle de Casablanca, avril 2011, CasamÃ©moire et Mutual Heritage, p. 48</text>
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                <text>banque</text>
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                <text>nÃ©o-mauresque (style)</text>
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                <text>Banque al Maghrib</text>
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                <text>UMBDENSTOCK, Gustave </text>
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                <text>De la mÃªme faÃ§on que DarbÃ©da, lâ€™architecte Gustave Umbdenstock, qui construit la Banque centrale dâ€™AlgÃ©rie en 1918, choisit dâ€™inscrire le bÃ¢timent dans lâ€™esthÃ©tique gÃ©nÃ©rale du boulevard. LÃ  encore, lâ€™architecte puise dans des rÃ©fÃ©rents dâ€™inspiration europÃ©enne. Dâ€™aprÃ¨s PhilomÃ¨ne Bon et Karine Thomas, â€œla porte dâ€™entrÃ©e monumentale, Å“uvre de Fourquet, est inspirÃ©e des Atlantes de Puget (1620-1694) de lâ€™hÃ´tel de ville de Toulonâ€.</text>
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                <text>Carte du patrimoine architectural XIXe-XXe siÃ¨cles d'Alger. Mutual Heritage, 2010. p.14</text>
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                <text>FROMAGEAU, Jean-EugÃ¨ne</text>
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                <text>DÃ©cidÃ©e en 1854, la construction de la basilique Notre-Dame dâ€™Afrique est confiÃ©e Ã  lâ€™architecte Jean-EugÃ¨ne Fromageau (1822-1897), sur un terrain dominant les quartiers de Bologhine et de Bab el-Oued. Elle est inaugurÃ©e en 1872 par Lavigerie, alors archevÃªque, dont la statue, Ã©rigÃ©e en 1925, est lâ€™une des seules de lâ€™Ã©poque coloniale Ã  Ãªtre toujours en place. Comme pour beaucoup dâ€™Ã©glises de mÃ©tropole, lâ€™architecte a choisi une esthÃ©tique nÃ©o-byzantine, mais les cÃ©ramiques bleues donnent Ã  lâ€™ensemble un caractÃ¨re plus local.</text>
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                <text>Le Bastion 23 est un ensemble urbain et monumental qui faisait partie intÃ©grante de la ville ancienne, la Casbah, avant que les FranÃ§ais ne la bouleversent complÃ¨tement Ã  lâ€™Ã©poque coloniale. ComposÃ© de trois palais de lâ€™Ã©poque ottomane et de maisons plus modestes de pÃªcheurs (dites douÃ©rates), il Ã©tait extrÃªmement dÃ©gradÃ© dans les annÃ©es 1980, mÃªme sâ€™il Ã©tait classÃ© monument historique depuis 1909 (le classement a Ã©tÃ© reconduit en 1967). Lâ€™ensemble actuel, qui abrite dÃ©sormais le centre des Arts et de la Culture, a Ã©tÃ© rÃ©habilitÃ© entre 1987 et 1994, chantier pendant lequel certaines parties totalement effondrÃ©es ont Ã©tÃ© intÃ©gralement remontÃ©es. En ce sens, il est reprÃ©sentatif des savoir-faire techniques contemporains dÃ©veloppÃ©s dans le cadre de la restauration du patrimoine.</text>
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                <text>Carte du patrimoine architectural XIXe-XXe siÃ¨cles d'Alger. Mutual Heritage, 2010. p.30</text>
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                <text>bÃ¢timent culturel</text>
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                <text>BEN ABDALLAH, Sidi Mohamed</text>
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                <text>En 1770, le sultan Sidi Mohamed Ben Abdallah entame une politique de protection des cÃ´tes marocaines contre les incursions europÃ©ennes en particulier portugaises.&#13;
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Le sultan Ã©difie la ville d'Essaouira et renforce les dÃ©fenses existantes des ports de l'Atlantique.&#13;
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Ã€ Casablanca, il restaure les murailles et construit plusieurs bastions dont seul subsiste celui de la Sqala. En le traversant, les habitants de la mÃ©dina ont accÃ¨s au port, passage moins frÃ©quentÃ© depuis l'amÃ©nagement d'un restaurant sur son site.</text>
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                <text>FR</text>
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                <text>Guide architectural de Casablanca, avril 2011, CasamÃ©moire et Mutual Heritage, pp. 15-15</text>
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                <text>architecture militaire</text>
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                <text>MERHOUM, Larbi</text>
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                <text>AlgÃ©rie</text>
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                <text>Cette bibliothÃ¨que de quartier, conÃ§ue en 2004 par lâ€™architecte Larbi Merhoum, sâ€™inscrit dans la lignÃ©e des Ã©difices qui ont investi la ligne de crÃªte depuis les annÃ©es 1950. Ce bÃ¢timent, qui surplombe lâ€™ancien quartier de la Robertseau, sâ€™offre une double Ã©chelle : lâ€™une domestique, en rapport avec le quartier pavillonnaire dans lequel il sâ€™insÃ¨re, et lâ€™autre comme un repÃ¨re urbain, puisquâ€™il sâ€™adresse de maniÃ¨re Ã©vidente Ã  la ville. Son programme culturel a Ã©tÃ© lâ€™occasion pour lâ€™auteur de transcrire sur la faÃ§ade lâ€™esthÃ©tique de lâ€™Å“uvre picturale de Mondrian.</text>
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                <text>Carte du patrimoine architectural XIXe-XXe siÃ¨cles d'Alger. Mutual Heritage, 2010. p.31</text>
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                <text>bibliothÃ¨que</text>
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                <text>BibliothÃ¨que dâ€™AÃ¯n Zeboudja</text>
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                <text>La nouvelle BibliothÃ¨que nationale, inaugurÃ©e en 1994, est lâ€™un des premiers projets retenus dans le cadre de la restructuration du quartier du Hamma (ancien Belcourt). Cette restructuration a vu la construction dâ€™un hÃ´tel international, le Sofitel, dâ€™un centre commercial et de parkings. Ces Ã©quipements de standing, dont lâ€™expression architecturale esquisse une esthÃ©tique  postmoderne, sont reliÃ©s par un grand axe perspectif, orientÃ© vers la mer et adossÃ© au fameux Jardin dâ€™essai.</text>
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                <text>http://mutual-heritage.crevilles-dev.org/alger/items/show/170</text>
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                <text>Carte du patrimoine architectural XIXe-XXe siÃ¨cles d'Alger. Mutual Heritage, 2010. p.30</text>
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              <description>An account of the resource</description>
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                <text>Ã‰difiÃ©e entre 1954 et 1958 par lâ€™architecte Louis Tombarel et lâ€™ingÃ©nieur Schulz, la BibliothÃ¨que nationale remplace celle qui, installÃ©e depuis 1863 dans la Casbah, a connu plusieurs dÃ©mÃ©nagements depuis sa crÃ©ation (1838). La question de la construction dâ€™une bibliothÃ¨que moderne a souvent Ã©tÃ© dÃ©battue au XXe siÃ¨cle mais câ€™est seulement en 1949 que le projet se concrÃ©tise. Tombarel prÃ©voit lâ€™amÃ©nagement de la bibliothÃ¨que en liaison avec un parc sportif ; il construira dâ€™ailleurs le stade Ouguenouni (ex-Leclerc) dans la continuitÃ©. DressÃ©e dans lâ€™axe du boulevard Khemisti, Ã  flanc de coteau, la bibliothÃ¨que prÃ©sente une ossature en bÃ©ton armÃ© apparente, recouverte dâ€™un toit en terrasse ornÃ© dâ€™un jardin suspendu.</text>
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                <text>http://mutual-heritage.crevilles-dev.org/alger/items/show/153</text>
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              <elementText elementTextId="2652">
                <text>http://mutual-heritage.crevilles-dev.org/alger/archive/files/aa3fb773392bd2fcabf8bb4dc864fddd.jpg</text>
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          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>Carte du patrimoine architectural XIXe-XXe siÃ¨cles d'Alger. Mutual Heritage, 2010. p.24</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>bibliothÃ¨que</text>
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              <elementText elementTextId="2655">
                <text>bÃ¢timent public</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>BibliothÃ¨que nationale des Tagarins</text>
              </elementText>
            </elementTextContainer>
          </element>
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